Abandoned Way Out West-The KID Show
Out of respect for the minors involved, please contact Elly for her full portfolio to see photos of this show
Abandoned Way Out West was Creede Repertory Theatre’s 2018 KID show, a program that brings theatre education to local and often underprivileged children 9-18 in rural Colorado. 16 children, some actors, some technicians, in the program did a three week workshop of the show alongside professional mentors, designers, and directors. Our Writer/Director Diana Burbano sought to fit the season’s theme of “strong female leads” with the story of a 12 year old Vaquera, Aquilina, leading a band of rag-tag orphans in the wild west against the greedy back star gang and their plot to steal the town from the children. As a design team, we strove to create a world believably created by children, and brought in lots of the kids to help with different projects, like distressing their costumes. Many of the costumes featured whimsical, child-like details like leather patches on bows or outward facing suspender buttons, and re purposed materials such as bandannas made into bows or aprons made from old chaps and serapes. As Creede is an extremely rural and secluded town with only three roads, sourcing materials was a unique challenge, but created a wonderful opportunity to research and respect the backgrounds of the children participating. We strove as a design team to reflect and honor both the history of the area, and the cultural backgrounds of the children coming to us for the show. This included pulling inspiration from child miners, railroad working families, pioneers, prospectors, vaqueros and the Colorado school for the deaf. We saw these characters as a group of lost boys in the wild west, without need of grown ups to successfully work together to run a town. It was also important to us to instill collaborative values in the kids, so some of the participants had the opportunity to make choices with me about what their costumes would look like and how their character would dress(i.e. are the dog/cat characters actual animals, or children playing pretend-they went with playing pretend!). I was also responsible for making sure everyone was in costume for the Fourth of July Parade in town, as Abandoned Way Out West was the theme of the float!
Scenic Design- Dustin Belich
Lighting Design- Harry Foster
Show Photographs- John Gary Brown
Photographs- Montana Bruns
Red Bowl at the Jeffs
The Sound’s Red Bowl at the Jeffs is writer Beth Hyland’s insider nod to Chicago theatre, loosely based on Chekov’’s Three Sisters. When Red Bowl Theatre company is nominated for best ensemble at the non-equity Jeff awards, they’re elated, but since closing, the company’s lives have begun to mirror the story of Three Sisters a little too closely for comfort. As these young but maturing artists grapple with disappointment and how to define success in a difficult industry, we as artists are presented with the question: why are we even doing this? As a design team, we wanted to honor the countless real small start up theatre companies in the area (one of which put on this show!) and my design strove to show a cross section of the way Chicago theatre artists present themselves when offstage, honor the inspiration of Three Sisters, as well as fulfill some script specific requirements, like a white free people dress that could handle a nightly wine dousing, a stylish cape, a bolo tie and more, all while working on a shoe string budget.
Scenic Design- Dana Macel
Lighting Design- Alex Beal
Director- Rebecca Willingham
Photographs- Montana Bruns
The Complete Works Of William Shakespeare, Abridged
For this production of The Complete works of William Shakespeare, Abridged, we wanted to take the three characters and give them a rock and roll edge and combine it with the wacky, slapstick comedy of the show. I used a lot of leather and autumn colors for the main costumes, and gave each main character a modern outfit with a renaissance style piece to add on one they entered the storytelling portion of the show. Each of the characters they portray in all of Shakespeare's plays had accessories, simple pieces, or wigs to differentiate them.
Scenic Design- Tony Curtis
Lighting Design- Kyle Harris
Director- Melanie Mason
Photographs courtesy of Theatre Arlington
Mrs. Bob Cratchit's Wild Christmas Binge
For this production we wanted to focus more on the topsy-turvy, wacky nature of the show rather than the Dickensian era it (sort of) takes place in. On a shoestring budget we created everything from 1970s-era wealthy people, Dickensian era folks, animals played by humans and multiple pop culture references. With such a small budget I was in charge of all of the alterations and construction myself along with the design and fittings.
Scenic Design- Linda Lowe, Monica Ramirez, Daniel Goodman
Lighting Design- Jason Cox Davis
Prop Design- Kristin M. Burgess
Director- Seth Johnston
Photographs courtesy of Onstage! In Bedford
Helios 24/7 is a story set in the near future that explores the intertwining roles of sleep, technology, and art in our lives and relationships. As a design team, we decided to set the story in the near future, to help drive home the theme of keeping real experiences and relationships in our increasingly technological lives. We drew heavy influence from modern sci-fi shows and movies as well as some abstract and absurd art inspiration from artists like Salvador Dali. I also drew on inspiration from Japanese futuristic fashion trends, with bold lines and sleek textures.. As this play involved certain scenes playing out on set-mounted TVs, there was an element of costume design for film for this production as well.
Scenic Design- DJ Badon
Lighting Design- Jared Land
Director- Dr. Natalie Gaupp
Photographs- Michelle Harvey and Laurie Land
Waiting For Forty
Waiting for 40 was a one-act romantic comedy performed in rep with three other shows. The Director wanted the show to look as if it was coming straight off the pages of a comic book. I used bold colors, thick lines, and selected half-tone accents throughout. The actors also had comic inspired makeup, using thick black lines where they normally apply highlight and shadow. The colors also tied characters together- each character was assigned a primary color (red for Carrie, as she's dominant, blue for greg, as he's passive, and yellow for Strasburger because he is the warm character) and the secondary colors they wore showed how they were connected.
Scenic Design- Jorge Lanuza
Lighting Design- Jared Land
Director- Elia Crawford
Photographs- Michelle Harvey
This show won honorable mention in costume design at USITT Southwest region's design competition.